Pushing through the doorway into the wild, capturing the frontier man as he approaches from afar.
Beautiful - Raging Bull (1980)
The operatic shadowboxing of a hooded pugilist, bouncing in slow motion, glowing in the occasional snap of a flashbulb, completely at home in the ring.
Beautiful - Apocalypse Now (1979)
A different kind of operatic violence in its serene ballet of smoke, fire, and helicopters.
In Media Res - Star Wars: A New Hope (1977)
Panning down from those iconic scrolling titles into an empty starscape, a rebel ship screams into frame throwing us into the middle of a chase we know nothing about.
Space - Contact (1997)
A tour of our universe turns into a simultaneous retrospective of modern human history via the reach of our radio waves
Movie Microcosm - Fight Club (1999)
A longshot tour through innerspace - in this case the brain of our hero.
Movie Microcosm - Day for Night (1973)
Creating and subverting our expectations; defining the world we're going to inhabit in a way we don't understand until the next shot turns it on its head
Long Scene - Flowers of Shanghai (1998)
An absolutely beautiful oil-lamp-lit 9 minute long shot that pans patiently back and forth across a table in a Chinese brothel following the complicated dynamic of an entire party.
Long Take - The Player (1992)
A meticulously choreographed crane shot that comments on itself and its industry while simultaneously setting up the entirety of the plot.
Long Take - Touch of Evil (1958)
Criss-crossing a moving bomb with our heroes time and time again, the audience has no choice but to wait anxiously for it to explode.