St. Louis Film Critics Association Awards

• BEST FILM
  • Get Out
  • Lady Bird
  • The Post
  • The Shape of Water
  • Three Billboards Outside Ebbing, Missouri
• BEST DIRECTOR 
  • Guillermo del Toro – The Shape of Water
  • Greta Gerwig – Lady Bird
  • Jordan Peele – Get Out
  • Steven Spielberg – The Post
  • Denis Villeneuve – Blade Runner 2049
• BEST ACTOR
  • Daniel Day-Lewis – Phantom Thread
  • James Franco – The Disaster Artist
  • Tom Hanks – The Post
  • Daniel Kaluuya – Get Out
  • Gary Oldman – Darkest Hour
• BEST ACTRESS
  • Sally Hawkins – The Shape of Water
  • Frances McDormand – Three Billboards Outside Ebbing, Missouri
  • Saoirse Ronan – Lady Bird
  • Kristen Stewart – Personal Shopper
  • Meryl Streep – The Post
• BEST SUPPORTING ACTOR
  • Willem Dafoe – The Florida Project
  • Woody Harrelson – Three Billboards Outside Ebbing, Missouri
  • Richard Jenkins – The Shape of Water
  • Sam Rockwell – Three Billboards Outside Ebbing, Missouri
  • Michael Shannon – The Shape of Water
• BEST SUPPORTING ACTRESS
  • Hong Chau – Downsizing
  • Holly Hunter – The Big Sick
  • Laurie Metcalf – Lady Bird
  • Kristin Scott Thomas – Darkest Hour
  • Octavia Spencer – The Shape of Water
• BEST ORIGINAL SCREENPLAY
  • The Big Sick - Emily V. Gordon & Kumail Nanjiani
  • Get Out - Jordan Peele
  • Lady Bird - Greta Gerwig
  • The Shape of Water - Guillermo del Toro & Vanessa Williams
  • Three Billboards Outside Ebbing, Missouri - Martin McDonagh
• BEST ADAPTED SCREENPLAY
  • Call Me By Your Name - James Ivory (Screenplay); André Aciman (Novel)
  • The Disaster Artist - Scott Neustadter & Michael H. Weber (Screenplay); Greg Sestero and Tom Bissell (Book)
  • It - Chase Palmer & Cary Fukunaga and Gary Dauberman (Screenplay); Stephen King (Novel)
  • Molly’s Game - Aaron Sorkin (Screenplay); Molly Bloom (Book)
  • Mudbound - Virgil Williams and Dee Rees (Screenplay); Hillary Jordan (Novel)
• BEST EDITING
  • Baby Driver - Jonathan Amos and Paul Machliss
  • Darkest Hour - Valerio Bonelli
  • Dunkirk - Lee Smith
  • The Post - Sarah Broshar and Michael Kahn
  • The Shape of Water - Sidney Wolinsky
• BEST CINEMATOGRAPHY
  • Blade Runner 2049 - Roger Deakins
  • Darkest Hour - Bruno Delbonnel
  • Dunkirk - Hoyte Van Hoytema
  • The Shape of Water - Dan Laustsen
  • Wonder Wheel - Vittorio Storaro
• BEST PRODUCTION DESIGN
  • Beauty and the Beast - Sarah Greenwood
  • Blade Runner 2049 - Dennis Gassner
  • Dunkirk - Nathan Crowley
  • Phantom Thread - Mark Tildesley
  • The Shape of Water - Paul D. Austerberry
• BEST VISUAL EFFECTS
  • Beauty and the Beast
  • Blade Runner 2049
  • Dunkirk
  • The Shape of Water
  • War for the Planet of the Apes
• BEST SCORE
  • Blade Runner 2049 - Benjamin Wallfisch and Hans Zimmer
  • Dunkirk - Hans Zimmer
  • Phantom Thread - Jonny Greenwood
  • The Post - John Williams
  • The Shape of Water- Alexandre Desplat
• BEST SOUNDTRACK
  • Atomic Blonde
  • Baby Driver
  • Coco
  • Guardians and the Galaxy Vol. 2
  • Three Billboards Outside Ebbing, Missouri 
• BEST ANIMATED FEATURE
  • Captain Underpants: The First Epic Movie
  • Coco
  • Despicable Me 3
  • The LEGO Batman Movie
  • Loving Vincent
• BEST DOCUMENTARY FEATURE
  • City of Ghosts
  • Jane
  • Last Men in Aleppo
  • Never Say Goodbye: The KSHE Documentary
  • Whose Streets?
• BEST FOREIGN LANGUAGE FILM
  • First They Killed My Father
  • Frantz
  • Graduation
  • Land of Mine
  • The Square 
• BEST SCENE
  • Atomic Blonde - Stairwell fight.
  • Baby Driver - Baby (Ansel Elgort) goes for coffee (opening credits).
  • Call Me By Your Name - Mr. Perlman’s (Michael Stuhlbarg) closing monologue.
  • The Disaster Artist - 67 takes of “I did not hit her”.
  • Lady Bird - Chalk talk for ‘The Tempest’.